Experimental THE ECO Museum
a broader platform for artistic creation is plastic and poetic reflection on the human body. The different representations of the subject have collaborated in their development and scientific understanding, establishing itself as an anthropological analysis, social, physical or romantic, as the approaches of the authors, allowing the society they belong to speculate about their own circumstances. Choreography, novels, portraits, monuments, films, songs, are the result of ideas that underpin the ongoing curiosity about ourselves, always expanding the limits of what is recognized and the word "body", placing this nomenclature as a field effective and fruitful in the present.
Ovalle Gabriela Gutierrez (Mexico City, 1961) has incorporated in his artistic practice the discussion described above, exposing the theme of the body as a category open to their own circumstances, taking the set of works that make up your project for the Museum Experimental El Eco, a fabric of ideas ranging from immediate observation of the human body "to the idea of" animality "of it, through the diversity of materials that work their projects, to move between the boundaries of the bi and tri-dimensional: the body as matter, particle , geography and architecture, which claims a biological presence reconfigured and recovered in dialogue with the emotional architecture of the Eco
Away from naturalistic representation, the work constituting the sample: about the body of Gabriela Gutierrez Ovalle, is a reconfiguration of leather, hair, grease, pigment, and digital light , which calls in its abstraction multiple devices to the expansion of the senses, setting up environments where the viewer experience new relationships with elements that are understood and everyday natural, intimate, transfigured into narratives that account open a formal investigation, material, symbolic and aesthetic, that define his poetry as part of a statement continuous, diverse, open and natural, suggesting other ways of thinking for a topic that is always open.
David Miranda
September, 2009
0 comments:
Post a Comment